• 7 Bridge Road, East Molesey, Surrey, KT8 9EU, UK
  • mail@townshendaudio.com
  • +44 (0) 208 979 2155
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Engineered to Silence the Noise, Amplify the Music

Heritage Innovate – Where Legacy Meets Vision

Max’s pursuit was never about following trends or bowing to market whims. His products—the fruits of tireless exploration—emerged from a desire to bring audiophiles and music lovers closer to the essence of the musical note. He sought to recreate the grandeur of an orchestra, where every instrument breathes with clarity, separated by air, each attack and decay rendered with precision. His dream was a soundstage both wide and deep, an uncoloured presentation that mirrors the original event as faithfully as possible. To achieve this, Max and his team delved into the rockpool of audio design, turning over every stone with care, examining each detail, and gently placing it back—changing only what demanded change.
 
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Where Engineering Mastery Meets Acclaimed Innovation

Backed by a team with centuries of collective expertise in traditional academic training in electronics and communication engineering, Townshend Audio pushed the boundaries of fidelity to their very limit. This meticulous approach gave rise to legendary innovations, each a testament to Max’s unrelenting standards. The Tor speakers, revered for their ability to unveil the subtlest nuances of sound, stand as pillars of acoustic excellence. The Rock turntable, a marvel of stability and refinement, redefined vinyl playback with its groundbreaking design. Our speaker cables, crafted with scientific rigor, deliver an untainted signal, preserving the integrity of every note. And the Maximum Supertweeters, a stroke of brilliance, extend the audible horizon, revealing details that breathe life into the music—details others might never hear.
Today, Townshend Audio remains a living legacy. We continue to craft products not only from the blueprints Max left us but also by working alongside his original team, blending their wisdom with fresh inspiration. Together, we are forging a new generation of audio solutions—tools for those who yearn to hear music as it was meant to be, uncompromised and alive. Our story is one of passion, precision, and an enduring commitment to sharing the truth of sound with the world.
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Max Townshend at the Royal institute, London

SuperTweeters

Introducing the Townshend Audio Maximum Super Tweeter—a pinnacle of high-frequency innovation designed to elevate your listening experience. Launched in 1999 after two years of meticulous development by founder Max Townshend, this compact marvel emerged from our UK factory in a sleek polished stainless steel case (now also available in satin black or matt silver). Born from a quest to surpass the limitations of bulky predecessors like the Pioneer and Murata super tweeters, the Maximum Super Tweeter uses an ultra-light aluminum ribbon and powerful neodymium magnets to extend your speakers’ frequency response up to 90kHz. With a simple 6-position level control and included Fractal™-wired cables, it integrates effortlessly, revealing astonishing detail across the entire audio spectrum—from crystalline highs to enhanced bass clarity. Over two decades later, it remains a cornerstone of our pursuit of sonic perfection.
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Auto-Transformer Preamplifiers

At Townshend Audio, our Allegri+ and Allegri Reference passive preamplifiers redefine purity in audio control. The Allegri+, an evolution of our original Allegri, is a compact yet mighty autotransformer-based preamp, delivering unmatched transparency with six RCA inputs, two outputs, and a front-panel 3.5mm jack. Wound with our proprietary Fractal™ wire and ultra-thin mu-metal laminations, it offers crystal-clear treble, vivid mids, and deep, powerful bass—perfect for audiophiles seeking uncolored sound without the complexity of active circuits.
The Allegri Reference takes this legacy further, blending cutting-edge technology with timeless design. This microprocessor-controlled preamp features 129 precise 0.5dB volume steps, remote control via an Apple TV handset, and a sleek LED display. With five stereo RCA inputs, two XLR pairs, and Seismic Isolation feet, it’s wired throughout with Fractal™ wire for holographic soundstages and breathtaking detail. Both preamps embody our mission: absolute signal integrity for the heart of your hi-fi system.
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Seismic Vibration Isolation

Townshend Audio’s journey into understanding the importance of vibration control in audio systems reflects a deep commitment to engineering solutions that enhance sound quality by tackling the often-overlooked issue of unwanted vibrations. This understanding evolved through decades of innovation, starting with early designs like the Rock turntable and progressing to the sophisticated Seismic range we see today.
One of the earliest demonstrations of Townshend’s grasp of vibration control came with the Rock turntable, introduced in the 1970s by founder Max Townshend. A standout feature of this design was its tonearm-damping trough—a small, fluid-filled channel that the tonearm stylus interacted with. This trough was ingeniously simple yet effective: it dampened resonance in the tonearm and cartridge by using the viscosity of the fluid to absorb vibrational energy that would otherwise travel from the stylus through the arm, muddying the sound. By reducing these micro-vibrations, the Rock turntable achieved a cleaner, more accurate reproduction of the record’s grooves, revealing subtle details that might otherwise be lost. This wasn’t just a tweak; it showed Townshend’s early recognition that even tiny mechanical disturbances could degrade audio fidelity, setting the stage for their broader exploration of vibration isolation.
Building on this foundation, Townshend Audio later developed the Seismic Sink in the 1990s, a significant leap forward in protecting sensitive audio equipment. The Seismic Sink was an isolation platform that used air suspension—essentially a bladder or bellows system—to “float” components like turntables, CD players, or amplifiers. This approach was rooted in the understanding that ground-borne vibrations, from footsteps to traffic rumble, could interfere with delicate piezoelectric elements (like those in cartridges) or electronic circuits, introducing noise and distortion. The air cushion acted as a low-pass mechanical filter, absorbing vibrations before they could reach the equipment. This was particularly critical for piezoelectric devices, which convert mechanical stress into electrical signals and are highly susceptible to external interference. The Seismic Sink’s air-based solution marked a shift from merely managing internal resonances (as with the Rock’s trough) to isolating entire systems from external seismic disturbances, proving that comprehensive vibration control could elevate performance across all hi-fi components.
This evolution culminated in the current Seismic range, which refined and expanded on these earlier insights. Replacing the air bladders of the Seismic Sink, the modern Seismic range employs Seismic Load Cells—high-tensile steel springs encased in flexible rubber jackets, paired with air-damped mechanisms. These cells are designed to isolate vibrations starting as low as 3Hz, covering a broad spectrum of disturbances in all directions (up/down, left/right, back/forth). This solution emerged from Townshend’s realization that rigid coupling—spiking equipment to the floor to “drain” energy—was flawed. Instead, their data showed that such methods often amplified vibrations, while a compliant, floating system could sever the acoustic connection between the equipment and its environment. The Seismic range, including platforms, podiums for speakers, and pods for individual components, delivers this isolation without the need for maintenance. Unlike the air bladders of the Seismic Sink, which required occasional adjustment or risked degradation, the Load Cells are a set-and-forget solution—durable, adjustable for weight and level, and engineered to last a lifetime.
Townshend Audio’s progression—from the trough on the Rock turntable, through the air-suspended Seismic Sink, to the maintenance-free Seismic range—illustrates a deepening understanding of vibration’s impact on audio. They recognized that whether it’s the resonance of a tonearm or the microtremors from the earth, uncontrolled vibrations mask detail, blur timing, and compromise the listening experience. By addressing these issues with practical, innovative engineering, Townshend transformed vibration control from an audiophile afterthought into a cornerstone of high-fidelity sound.
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Seismic Vibration Isolation

Townshend Audio’s journey into understanding the importance of vibration control in audio systems reflects a deep commitment to engineering solutions that enhance sound quality by tackling the often-overlooked issue of unwanted vibrations. This understanding evolved through decades of innovation, starting with early designs like the Rock turntable and progressing to the sophisticated Seismic range we see today.
One of the earliest demonstrations of Townshend’s grasp of vibration control came with the Rock turntable, introduced in the 1970s by founder Max Townshend. A standout feature of this design was its tonearm-damping trough—a small, fluid-filled channel that the tonearm stylus interacted with. This trough was ingeniously simple yet effective: it dampened resonance in the tonearm and cartridge by using the viscosity of the fluid to absorb vibrational energy that would otherwise travel from the stylus through the arm, muddying the sound. By reducing these micro-vibrations, the Rock turntable achieved a cleaner, more accurate reproduction of the record’s grooves, revealing subtle details that might otherwise be lost. This wasn’t just a tweak; it showed Townshend’s early recognition that even tiny mechanical disturbances could degrade audio fidelity, setting the stage for their broader exploration of vibration isolation.
Building on this foundation, Townshend Audio later developed the Seismic Sink in the 1990s, a significant leap forward in protecting sensitive audio equipment. The Seismic Sink was an isolation platform that used air suspension—essentially a bladder or bellows system—to “float” components like turntables, CD players, or amplifiers. This approach was rooted in the understanding that ground-borne vibrations, from footsteps to traffic rumble, could interfere with delicate piezoelectric elements (like those in cartridges) or electronic circuits, introducing noise and distortion. The air cushion acted as a low-pass mechanical filter, absorbing vibrations before they could reach the equipment. This was particularly critical for piezoelectric devices, which convert mechanical stress into electrical signals and are highly susceptible to external interference. The Seismic Sink’s air-based solution marked a shift from merely managing internal resonances (as with the Rock’s trough) to isolating entire systems from external seismic disturbances, proving that comprehensive vibration control could elevate performance across all hi-fi components.
This evolution culminated in the current Seismic range, which refined and expanded on these earlier insights. Replacing the air bladders of the Seismic Sink, the modern Seismic range employs Seismic Load Cells—high-tensile steel springs encased in flexible rubber jackets, paired with air-damped mechanisms. These cells are designed to isolate vibrations starting as low as 3Hz, covering a broad spectrum of disturbances in all directions (up/down, left/right, back/forth). This solution emerged from Townshend’s realization that rigid coupling—spiking equipment to the floor to “drain” energy—was flawed. Instead, their data showed that such methods often amplified vibrations, while a compliant, floating system could sever the acoustic connection between the equipment and its environment. The Seismic range, including platforms, podiums for speakers, and pods for individual components, delivers this isolation without the need for maintenance. Unlike the air bladders of the Seismic Sink, which required occasional adjustment or risked degradation, the Load Cells are a set-and-forget solution—durable, adjustable for weight and level, and engineered to last a lifetime.
Townshend Audio’s progression—from the trough on the Rock turntable, through the air-suspended Seismic Sink, to the maintenance-free Seismic range—illustrates a deepening understanding of vibration’s impact on audio. They recognized that whether it’s the resonance of a tonearm or the microtremors from the earth, uncontrolled vibrations mask detail, blur timing, and compromise the listening experience. By addressing these issues with practical, innovative engineering, Townshend transformed vibration control from an audiophile afterthought into a cornerstone of high-fidelity sound.
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Audio Cables

Cables represent the longest physical link between components in an audio system, serving as the critical pathways for electricity to travel from one point to another. In theory, this journey occurs at the speed of light—approximately 299,792 kilometers per second in a vacuum—making it nearly instantaneous. However, in the real world of audio systems, the current’s passage through a cable isn’t quite so flawless. As electricity flows to and through the cable, it encounters inevitable echoes and reflections, disturbances caused by impedance mismatches between components like the amplifier and the speaker. These reflections can distort the signal, introducing unwanted artifacts that color the sound and obscure its purity. Recognizing this, Max Townshend, the visionary behind Townshend Audio, set out to design a cable that would minimize these effects, ensuring the signal arrived as intact as possible.
Impedance matching is key to this challenge. When the impedance of the cable, amplifier, and speaker isn’t aligned, part of the electrical signal bounces back—like an echo in a canyon—creating interference that muddies the audio. Max understood that a cable’s construction could either exacerbate or mitigate this issue. Standard cables, with their often simplistic designs, tend to let these reflections run rampant, resulting in a sound that’s tinged with unnatural coloration—bright, harsh, or overly warm tones that deviate from the original recording. Determined to eliminate this, Max applied his engineering expertise to develop a cable that controls these echoes through careful design, focusing on consistent impedance and signal integrity.
The result of this pursuit is Townshend Audio’s Isolda DCT (Deep Cryogenically Treated) cables, a testament to Max’s mission. These cables use a unique construction—flat, closely spaced conductors in a parallel configuration, often likened to a transmission line—to maintain a characteristic impedance that closely matches typical speaker loads (around 4 to 8 ohms). This design minimizes signal reflections by ensuring the electrical energy flows smoothly from amplifier to speaker, without bouncing back to distort the sound. The conductors are also cryogenically treated, a process that enhances their molecular structure, reducing resistance and further refining signal clarity. The outcome is a cable that delivers sound free from coloration—completely natural, transparent, and true to the source, with no lingering echoes to cloud the listening experience. Max’s innovation transformed the humble cable from a weak link into a conduit of sonic purity, proving that even the smallest details in a system can profoundly impact the whole.

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We've been right all along. Now, the world is listening.

Townshend Audio has always been ahead of its time—our designs defy obsolescence. Whether it’s the Rock turntable, our isolation technology, or our latest preamplifiers, we engineer with one goal: delivering sound so pure it moves you.

The Rock Turntable: A Seismic Shift in Vinyl Precision

At Townshend Audio, our Rock record player is more than a turntable—it’s a legacy of innovation spanning over four decades. Born in the early 1980s from a collaboration with the Cranfield Institute of Technology, the original Elite Cranfield Rock introduced a groundbreaking concept: a front-end damping trough filled with silicone fluid to eliminate cartridge resonance at the source. This radical design, spearheaded by founder Max Townshend, set the stage for a lineage of turntables revered for their clarity, taut bass, and unflinching fidelity. Evolving through models like the Rock V and now the acclaimed Rock 7, our Rock series continues to deliver the purest vinyl playback, hand-crafted in London with the same passion that started it all. Discover the sound of precision—experience the Rock.

Townshend Speakers: Engineering Soundscapes with Unrivalled Clarity

Among our celebrated lineup, the Glastonbury Tor speakers stand as a testament to our commitment to sonic excellence, and we’re thrilled to confirm that they remain available to order directly from us in the United States.
The Glastonbury Tor speakers are a pinnacle of our loudspeaker design, first unveiled at the London Hi-Fi Show in 2010. These focused-line, wide-range high-fidelity loudspeakers redefine what’s possible in audio reproduction. Unlike conventional speakers that rely on separate drivers for bass, midrange, and treble, the Tor employs a single, meticulously engineered driver to handle the full frequency spectrum from the deepest lows to the crispest highs, seamlessly augmented by a ribbon supertweeter. This innovative approach ensures a fluidity and coherence in sound that’s nothing short of supernatural—delivering a listening experience that feels astonishingly real.
Crafted with lightweight aluminum cabinets filled with plaster of Paris and carpet felt, the Tor’s enclosure is exceptionally inert, banishing unwanted resonances to preserve the integrity of every note. The light aluminum cones move with precision, producing deep, controlled bass that extends down to 27Hz, while the supertweeter stretches the highs beyond 30kHz. The result? A breathtakingly transparent soundstage with tight, articulate bass, rich mids, and sparkling treble that reveals every nuance of your music.
Available for order in the US, the Glastonbury Tor speakers are hand-built in London, just 10 miles from where they debuted, and paired with our cutting-edge 403W hybrid solid-state/vacuum-tube mono block amplifiers and Fractal™-wired speaker cables for uncompromising performance. Whether you’re an audiophile seeking the ultimate in clarity or a music lover craving a deeper connection to your favorite tracks, the Tor delivers. Contact us today to bring this extraordinary speaker into your home—because at Townshend Audio, we don’t just reproduce sound, we elevate it.

Precision-Crafted Cables

Unlike mass-market alternatives, our cables are meticulously built with impedance-matched materials and premium copper, delivering sweet, natural sound clarity.

Timeless Engineering

We don’t chase trends; we build enduring audio solutions grounded in decades of Hi-Fi expertise.

Unrivaled Isolation

Borrowing principles from high-performance industries, our low-pass mechanical filter technology eliminates vibrations, preserving the purest sound possible.

From the Archives

Townshend Seismic Podiums: Sonic Clarity Unleashed

It’s a stellar product that delivers on every claim....

Isolda Wins The Ear Cable of the Year

its performance justifies the investment for those who prioritize fidelity over flash....

Golden Ear Glory for Townshend Seismic Podiums

The technical merits are striking. Gader notes a marked improvement in bass definition—tight, controlled, and...

HiFi Pig’s Take: Seismic Corners Shake Up Audio Clarity

These are a no-brainer for anyone serious about sound....

Taming the Floor: How Seismic Stop Footfall

But the benefits didn’t stop at footfall. "Salred" noticed a sonic upgrade too:...

Audiogon’s Latest Buzz: Seismic Isolation

engineering that solves real problems with measurable results...

Tracking angle review Seismic Isolation

Seismic Isolation Podiums are a “game-changer”...

Dagogo reviews the Maximum Supertweeter

Perhaps the most striking revelation was the sense of space the Maximum Supertweeters brought to...

Chris Baillie on Seismic & Fractal

which should you buy first?...

Absolute Sounds Allegri Review

For audiophiles like Saydor, the Allegri Reference isn’t just a tool—it’s a gateway...

Testimonials

For decades, Townshend was an inventive and invigorating presence in audio in the UK, with worldwide influence. He took a pioneering interest in many ideas that became widespread in audio later on—and in some that did not but should have.

Robert E. Greene - absolute sounds

“Max Townshend was a genius who didn’t just build hi-fi gear—he built trust in the idea that music could be heard as it was meant to be.

— A reader’s letter cited in The Ear

“Townshend Audio has long been the company that never does it the way you expected, but always does it right. There’s a deliciously left-field approach to Townshend Audio’s design criteria that sweeps aside convention and makes something at once different and brilliant.

Raffael Todas - Stereonet

“The sound of his products speaks volumes; I still count his own personal system in the lounge of his house as one of the finest I’ve ever heard.

— David Price, StereoNET International

“A natural and colourful raconteur, there was no ‘popping round to see Max’; a visit to Max Townshend’s place was ten straight hours of talking, laughing, and watching the ever-enquiring mind of an engineer at work.

— Alan Sircom, hi-fi+

“His sheer dedication and passion and knowledge of engineering and production was truly breathtaking.

What’s Best Audio and Video Forum

“Max Townshend was one of the greats of British audio, a man who combined a sharp engineering mind with a desire to make products that simply sounded better than the rest.

— Alan Sircom, hi-fi+

“I’ve never met anyone with such a deep understanding of audio physics and a willingness to push boundaries—Max was a true pioneer, and Townshend Audio is his monument.

Steve Hoffman Music Forum

Photo Archive

Townshend Seismic Piano Isolators at the Henry Wood Hall,London
Maximum Super tweeter
Townshend Rock Turntable
Townshend Professional Seismic at the Odeon
Townshend TOR Loadspeakers
Townshend Glastonbury Pre-amplifier
Wes- Bender NYC Rock 7 Turntable
Townshend Audio Speakers
Townshend Rock on film
John Bamford in B&W with the Townshend Sir Galahad Speakers
Townshend Rock 7 Top view
The golden design mean inspiration always
Max Townshend at the Royal institute, London
Jack Dinsdale and Max Townshend 'all Rocks'
Keith jarrett with his Rock MKII
Townshend TOR Loadspeakers
Townshend EnigmaPre-amplifier
Prototype Rock and Trough
'Avalon' Townshend Rock
Max Townshend building the Sir Galahad, Staines
Rock Turntable

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Our Location

7 Bridge Road, East Molesey, Surrey, England

Phone Number

0044 (0) 208 979 2155

Email Address

mail@townshendaudio.com

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    7 Bridge Road, East Molesey, Surrey, KT8 9EU, UK.
  • mail@townshendaudio.com
  • +44 (0) 208 979 2155

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